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             I wrote some lines, from end to end
                In praise of dearest May.
             I showed them to a critic friend,
                To see what he would say.
             “They’re crude,” said he, “and so are you.”
                (He was a grouty fellow!)
             “Just let them lie a year or two,
                To ripen and grow mellow.
             “Go over them from time to time,
                And polish bit by bit;
             Perfect the meter and the rhyme,
                And sharpen up the wit:

             “In half a year, but for the theme,
                And for the lady’s name,
             They’ll be so changed you’ll hardly dream
                The lines could be the same.”

             I let them lie, I worked them o’er,
                Changed epithet and rhyme.
             I hardly knew them any more,
                They’d mellowed so by time.
             “Black eyes” had mellowed into “blue,”
                And “ringlets” into “strands”;
             “One dimple,” ripened into “two”;
                “Small,” grown to “shapely” hands.
             And what was once “nez retroussé”
                Was now a “Grecian” nose;
             In fact, the very name of “May “
                Had mellowed into “Rose.’’

             — Esther B. Tiffany (Century Magazine, 1887)









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