Page 9 - Bits
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Introduction


                  V

                          ictorians loved their pets!  While we may regard our current century as an era of “conspicuous
                          consumption” when it comes to our animal companions, such items as rhinestone collars, hand-
                          painted dinner bowls and  doggie castles would have not seemed the  least bit  odd to many a
                  Victorian pet owner.  Indeed, an article in  The Strand  describes a French firm that provided fashions,
                  bejeweled collars, and even diamond jewelry for the pampered pets of Victorian London.
                       Nor was this love affair confined to domestic animals.  Victorians delighted in articles that portrayed
                  the quirks and human-like characteristics of creatures of the wild as well.  Indeed, the line between “wild”
                  and “domestic” often blurred.  For example, a series in The Girl’s Own Paper by Gordon Stables on caring
                  for cage birds describes managing birds most of  us today would regard  as “wild,” such as wrens,
                  nightingales, jackdaws, jays and rooks.  To better observe the behavior of wild birds and beasts, naturalist
                  Eliza Brightwen brought many into her home, where they became, if not fully tame, at least accustomed to
                  living with one foot (or wing) in each world.
                       Small wonder, then, that Victorian magazines abounded with articles on pets and animals in general.
                  One of the most entertaining series of columns in The Girl’s Own Paper was its “Bits About Animals.”
                  Early columns contained  countless nuggets of  animal lore,  from “sagacious rats”  to compassionate
                  elephants.  Later columns focused more on the authors’ pets; most of the columns in the mid- to late-
                  1880’s were written by Ruth Lamb, with others provided by Ellin Isabelle Tupper.  In the mid-1890’s,
                  these “bits” on dogs, cats, horses, and even lambs and sheep were replaced by Eliza Brightwen’s tales of
                  her lemurs, owls, mongoose and other exotic creatures.
                       It is no coincidence that  Victorian magazines like  The Girl’s Own Paper  emphasized the more
                  (apparently) human characteristics of animals both wild and domestic.  This was, in many respects, the
                  dawning of a new era for animals: An era in which the first animal protection and anti-cruelty laws were
                  being passed.  The Royal Society for the Prevention of Cruelty to Animals (without the “Royal”) was
                  founded in London in 1824.  The organization originally focused on protecting working animals, such as
                  pit ponies, but within a few years launched legislation to protect domestic animals as well.  Many of the
                  articles that  appeared  in  Victorian magazines  for  young  people  were designed  to encourage  kindness
                  toward animals, whether in the home or in the wild.
                       Whatever the motivation, the fact remains that a good animal story is timeless.  Anyone who has ever
                  had a dog or a cat can recognize the antics of their own companions in these delightful tales.  (Cats, sadly,
                  are a bit under-represented  here, as  they were not  nearly as  popular in  Victorian times as dogs—but
                  they’re here!)  Most of us haven’t had the privilege of sharing a home with a lemur or a mongoose, but we
                  can enjoy the experience vicariously through Eliza Brightwen’s marvelous accounts.
                       This book offers a treasure-chest of animal anecdotes, beginning with The Girl’s Own Paper’s “Bits
                  About Animals”  series and continuing with articles by Eliza Brightwen and  others (more or less in
                  chronological order from  1881-1901).  It winds up with articles from  The Strand,  Cassell’s Family
                  Magazine, and Leisure Hour.  All the anecdotes are purported to be “true tales” (save for those that are
                  clearly folkloric).  I’ve rounded out the collection with a selection of (I hope) entertaining poems and
                  illustrations, including several by renowned animal artist Harrison Weir.
                       I hope, as well, that this book will be just the beginning.  My archives hold many more Victorian
                  animal anecdotes, which I plan to share in the future. Just as soon as I persuade my cat to get off the
                  keyboard.

                                                                                             —Moira Allen, Editor
                                                                                              Columbia, MD 2014
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